Scoundrel Time

“Fragmentary Sequencing” by John Kinsella and Don Share

1. JK The guy down below us in the valley is working his angle grinder. We are all immersed in the new kind of heat — the heat above the heat of a hot place, with dry grass bending towards the sparks, and...

Two Poems By Becca Barniskis

Agenda Machine Thing Mud faltered downahole halfway thru presenting (airloss lightdrain wordstick wormegg burrowing deep into screensavior) -10 sec break- skincrawl over&above turntalk beak- blurt swallow...

An Interview with Xu Xi

  Scoundrel Time’s Robert Anthony Siegel talks to Xu Xi about her new essay collection, This Fish is Fowl: Essays on Being Xu Xi’s new essay collection, This Fish is Fowl, is a wry, self-aware journey...

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News & Announcements

We are excited to announce Scoundrel Time’s 2018 Pushcart Prize nominees:

Fiction
“Allegiance” by Lorraine Rice
“A Cloud Like a Person Standing Upside Down” by Qian Zhang

Poetry
“The Truly Screaming Baby” by Heather McHugh
“Protege” by Cynthia Dewi Oka
“Prayer” by James Hoch

Essay
“There Were Six of Us” by Sara Frankel

Scoundrel Time fiction editor Karen Bender’s new story collection, THE NEW ORDER is now out from Counterpoint Press. See this terrific interview in the Los Angeles Review of Books.

Mariya Taher has received the Muslim American Leadership Alliance’s (MALA) first annual Human Rights Storytellers Award in recognition of her outstanding contribution to defending human rights through storytelling. Taher’s essay, “A Prescriptive Identity? Not My Birthright,” appears in Scoundrel Time.

Robert Anthony Siegel’s new memoir, Criminals: My Family’s Life on Both Sides of the Law, is now out from Counterpoint Press. Booklist calls it “an engrossing, highly readable memoir.” Siegel is a Contributing Editor for Scoundrel Time.

Alissa Quart’s new book Squeezed: Why Our Families Can’t Afford America, about the struggling middle class, is out now. In a starred review, Kirkus calls it “thoughtful and compassionate.” Quart has written poems for Scoundrel Time, including “Thoughts & Prayers” and “Comey: Cut-Up.”

Reginald Dwayne Betts has been named a 2018 Guggenheim Fellow in Poetry. His poems, “Secrets,” “Mural for the Heart,” and “For a Bail Denied,” appeared recently in Scoundrel Time and will be included in his collection Felon: A Misspelling of My Name, forthcoming from Norton.

Joan Silber’s novel, Improvement, has won the Pen/Faulkner Award in Fiction and the NBCC Award in Fiction. Her story “Unspeakable” appears in our How It Ends series.

Joshua Weiner’s Trumpoems, two of which appear in Scoundrel Time, are now collected in a free virtual chapbook at the Dispatches site: Everything I Do I Do Good – TrumPoems, by Joshua Weiner

Winners, Scoundrel Time’s first annual Editors’ Choice Awards, selected from among the outstanding works we published in 2017:

Fiction: Maria Saba, “My First Friend”
Poetry: Elly Bookman, “Plasticity”
Creative Nonfiction: Regan Good, “The Double Punch: Trumpian Violence vs NYPD Patriarchy”

Our poetry editor, Daisy Fried, was interviewed by 24 Pearl Street. She says nice things about us.

We’re thrilled and grateful to Entropy Magazine for selecting Peter Trachtenberg’s essay, “I Lift My Lamp,” for their terrific “Best of 2017” list.

Contributor Hillary Jordan’s novel Mudbound has been made into a film that premiered at Sundance and is now available on Netflix. The film has been nominated for 4 Academy awards in 2018, including best adapted screenplay. Jordan’s ekphrastic poem, “Flamboyan,” and “The Donald’s Going,” her satirical tribute to Yeats, appear in Scoundrel Time.

We are excited to announce Scoundrel Time’s first-ever Pushcart Prize nominees. The following works and authors are nominated by our editors:

Fiction:
Maria Saba, “My First Friend”
Matthew Olzmann, “The Blanket Room”

Poetry:
Gabrielle Brant Freeman, “Girltrap”
Amanda Newell, “thousands of spirit limbs [were] haunting as many good soldiers, every now and then tormenting them”

Essay/Dispatch:
Timothy Denevi, “The Future Is a Ceiling of Impossible Water”
Raqi Syed, “My Mother’s Pilgrimage”

In addition, we’re excited to share that the following works appearing in our journal have been nominated by Pushcart Prize contributing editors:

Essay/Dispatch:
Peter Trachtenberg, “I Lift My Lamp”
Dana Sachs, Factory Men: Migrants in Patras, Greece

Fiction:
Carolyn Ferrell, “How the World Really Feels About You”
Tracy O’Neill, “Shuffle Off”
Karen Brennan, “Requiem”
Karen E Bender, “Describe Hope: Assignment Given to Undergraduate Creative Writing Class on November 9, 2016”
David Ulin, “Any Humans Here?”

 

Rachel Ann Brickner’s dispatch, “Another Year Older and Deeper in Debt,” will be reprinted in a new edition of the anthology, Without a Net: The Female Experience of Growing Up Working Class, forthcoming from Seal Press.

Elizabeth Rosner has a new book out: Survivor Cafe: The Legacy of Trauma and the Labyrinth of Memory. Her essay, “Before and After,” appeared in Scoundrel Time in July.

Scoundrel Time editor is interviewed for Bethesda Magazine: Searching for Truth: Bethesda writer Paula Whyman heads a new journal intertwining art and politics” by Janelle Harris, Sept/Oct 2017

Scoundrel Time is featured in “Writers, Editors Resist,” by Sarah Seltzer in Poets & Writers Magazine, May/June 2017

 

Contributors

“In the increasingly convincing darkness / The words become palpable…" —John Ashbery

“Let us go forth with fear and courage and rage to save the world.” —Grace Paley

Exclusive Service

Tom had built up some sort of callus so the leg shackle didn’t bother him as much as it used to. Also, the Team had been very accommodating when he asked for the chain to be lengthened. Those few inches meant he could reach the bathroom, so he felt...

“Appropriate and Just”

 

Diplomacy? A bother and a bore.
In fact, who needs a diplomatic corps?
Who needs cables and epistles?
When you launch a bunch of missiles,
you can lift your polling numbers from the floor.

Greens

The city built a retaining wall at the edge of the cemetery to prevent old bodies from sliding out onto the street. Take the civic hand and walk in the sun. Whether or not you have lost everything, there is nothing to lose in finding yourself on the...

Selections from The Trumpiad

  SMART “‘He’s one of the smartest people I’ve ever met,’ said Sen. Orrin Hatch of Utah, the most senior GOP senator. Asked about Carson’s lack of experience in the agency’s areas of expertise, Hatch replied: ‘No, but he has medical experience ...

Colony

A splash of gasoline, a match, my brother poking it with a shovel. I was too young to have an opinion yet knew it was wrong. Even if the haystack pile of it grew each day more troubling beside the swingset, beside the prim lines of carrots in the...

Election

Schoolchildren wait in seven, six, five, four straight lines that sway and shimmer as they’re led away until a winged V arrows south, and they see the pointed shape of flight from home, an escape— though they read liberty in motion, not need for...

Flamboyan (Royal Poinciana)

  I always wanted to be that woman That brazen hussy clothed in red The color of a torch singer’s lips or a rooster’s wattle Fecund, inflamed, unashamed My trembling limbs spread wide In rampant, ecstatic bloom Defying you and your mortal fears...

This Is Us (Oxycodone Song)

  What was it Mavis said about the marble, re: Da Vinci, or was it Michelangelo, you know, that the job is, some- how, the careful removal of what isn’t needed—of what’s getting in the way? Something like that? Google it, I said. She’d been the...

The Mothers on the Wall

Stant pavidae in muris matres oculisque sequuntur Pulveream nubem et fulgentes aere catervas. -AENEID VIII 590-1 The fearful mothers standing on the wall, the cloud of dust they follow with their eyes: millennia pass, and nothing’s changed at all of...

American Patriot: A Portfolio

Poems by Jim Daniels, Photographs by Charlee Brodsky   Size Matters Imagine singing “Oh, say, can you see” to a flag you can’t see. That’s what graduate students at the University of Texas at Dallas had in mind when they...

Artists Dying

  The first time I saw an artist dying onstage, I was a kid. I went to see Rahsaan Roland Kirk at the Village Gate. The great saxophonist, composer, and vocalist had recently suffered a stroke. His body was non-existent inside a rumpled tuxedo...

Here

Where do you put the anger and the fear? Hand them over. Here. What do you do with the uncertainty? Pass it to me. The sadness, the foreboding, all the rest? I bare my breast. The blustering threats, the dark and stormy skies? Look into my eyes...

Isolated Splendor

I was aping Mussolini in a pizzeria when the American I fell for called me an asshole, not an overreaction in Roma, the city responsible for romantics like Caligula and Berlusconi. Later that night, soccer hooligans attacked the riot cops, the...

Laughing at the Demagogues

It’s become predictable—though still, I hope, not normal—that a Saturday Night Live skit will be followed by an angry tweet from the new President, using words like “unwatchable” and “not funny.” If these silly overreactions at times seem like part...