Scoundrel Time

(Favor) in His Sight

(Homewood Cemetery) Before I moved to Pittsburgh seven years ago a friend sent me a recording of a comic Yiddish patter song from the 1920s or ’30s. It was like one of Gilbert and Sullivan’s rapid...

kayfabe

who will prosecute the wind’s unconstitutional surveillance of skin? hands up if they told you snowflakes speak for diversity. * I held my breath like a basketball passing through the projects to pan-am plaza...

An Interview with Chaya Bhuvaneswar

Scoundrel Time’s Elisabeth Booze talks to Chaya Bhuvaneswar about her work Chaya Bhuvaneswar’s debut short story collection White Dancing Elephants was praised by Laura Van Den Berg as “powerfully intelligent...

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Thank you for helping to keep the scoundrels at bay. We are a volunteer-run publication, and your generous support keeps us going. Scoundrel Time is a 501(c)(3) organization, and your donation is tax-deductible.


News & Announcements

Robert Anthony Siegel’s new memoir, Criminals: My Family’s Life on Both Sides of the Law, is now out from Counterpoint Press. Booklist calls it “an engrossing, highly readable memoir.” Siegel is a Contributing Editor for Scoundrel Time.

Alissa Quart’s new book Squeezed: Why Our Families Can’t Afford America, about the struggling middle class, is out now. In a starred review, Kirkus calls it “thoughtful and compassionate.” Quart has written poems for Scoundrel Time, including “Thoughts & Prayers” and “Comey: Cut-Up.”

Reginald Dwayne Betts has been named a 2018 Guggenheim Fellow in Poetry. His poems, “Secrets,” “Mural for the Heart,” and “For a Bail Denied,” appeared recently in Scoundrel Time and will be included in his collection Felon: A Misspelling of My Name, forthcoming from Norton.

Joan Silber’s novel, Improvement, has won the Pen/Faulkner Award in Fiction and the NBCC Award in Fiction. Her story “Unspeakable” appears in our How It Ends series.

Joshua Weiner’s Trumpoems, two of which appear in Scoundrel Time, are now collected in a free virtual chapbook at the Dispatches site: Everything I Do I Do Good – TrumPoems, by Joshua Weiner

Winners, Scoundrel Time’s first annual Editors’ Choice Awards, selected from among the outstanding works we published in 2017:

Fiction: Maria Saba, “My First Friend”
Poetry: Elly Bookman, “Plasticity”
Creative Nonfiction: Regan Good, “The Double Punch: Trumpian Violence vs NYPD Patriarchy”

Our fiction editor, Karen Bender, has a new story collection, THE NEW ORDER, coming from Counterpoint Press in November 2018.

Our poetry editor, Daisy Fried, was interviewed by 24 Pearl Street. She says nice things about us.

We’re thrilled and grateful to Entropy Magazine for selecting Peter Trachtenberg’s essay, “I Lift My Lamp,” for their terrific “Best of 2017” list.

Contributor Hillary Jordan’s novel Mudbound has been made into a film that premiered at Sundance and is now available on Netflix. The film has been nominated for 4 Academy awards in 2018, including best adapted screenplay. Jordan’s ekphrastic poem, “Flamboyan,” appears in Scoundrel Time.

We are excited to announce Scoundrel Time’s first-ever Pushcart Prize nominees. The following works and authors are nominated by our editors:

Fiction:
Maria Saba, “My First Friend”
Matthew Olzmann, “The Blanket Room”

Poetry:
Gabrielle Brant Freeman, “Girltrap”
Amanda Newell, “thousands of spirit limbs [were] haunting as many good soldiers, every now and then tormenting them”

Essay/Dispatch:
Timothy Denevi, “The Future Is a Ceiling of Impossible Water”
Raqi Syed, “My Mother’s Pilgrimage”

In addition, we’re excited to share that the following works appearing in our journal have been nominated by Pushcart Prize contributing editors:

Essay/Dispatch:
Peter Trachtenberg, “I Lift My Lamp”
Dana Sachs, Factory Men: Migrants in Patras, Greece

Fiction:
Carolyn Ferrell, “How the World Really Feels About You”
Tracy O’Neill, “Shuffle Off”
Karen Brennan, “Requiem”
Karen E Bender, “Describe Hope: Assignment Given to Undergraduate Creative Writing Class on November 9, 2016”
David Ulin, “Any Humans Here?”

We are proud of the work that we’ve featured in our first year. Thank you for reading!

Alissa Quart’s poem, “Comey: Cut-Up,” has been reprinted in The Nation. The poem is made of fragments from James Comey’s testimony before Congress.

Rachel Ann Brickner’s dispatch, “Another Year Older and Deeper in Debt,” will be reprinted in a new edition of the anthology, Without a Net: The Female Experience of Growing Up Working Class, forthcoming from Seal Press.

Elizabeth Rosner has a new book out: Survivor Cafe: The Legacy of Trauma and the Labyrinth of Memory. Her essay, “Before and After,” appeared in Scoundrel Time in July.

Scoundrel Time editor is interviewed for Bethesda Magazine: Searching for Truth: Bethesda writer Paula Whyman heads a new journal intertwining art and politics” by Janelle Harris, Sept/Oct 2017

Scoundrel Time is featured in “Writers, Editors Resist,” by Sarah Seltzer in Poets & Writers Magazine, May/June 2017

 

Contributors

“In the increasingly convincing darkness / The words become palpable…" —John Ashbery

“Let us go forth with fear and courage and rage to save the world.” —Grace Paley

Portfolio: Poems by Fady Joudah

Declaration of Independence I am the one I think you are. Could it be that when the body ended, history started and when the body persevered it was rediscovered? I am the one you think I am. In a show of hands the captain asks for a Cave of Hands...

Six Questions for Fady Joudah

Interview by Christine Mallon Scoundrel Time: Can you talk about how or why poetry has stayed with you throughout your time as a physician? Is the practice of each tied to the other?  Could you also talk about being an Arab-American poet in America...

How It Ends: After Trump

Come and see. A red-haired woman dances barefoot on the asphalt on one side of the street. An elderly man with a cane tries to keep up with her and bursts into laughter as he almost loses his balance. Two olive-skinned young men make music with...

How It Ends: Last Words

The presidential bedroom is covered in gold leaf and glimmers dimly in the predawn darkness. The President is in bed. He reaches out of the golden comforter for the remote. On the giant screen, a man sits beside a woman at a translucent desk. The...

How It Ends: The Donald’s Going

The Donald’s Going (With apologies to W.B. Yeats) Rooting and rooting in the White House drain The plumber cannot hear the moving men; Things go in boxes; the hairspray takes up four; Marine One has lifted from the lawn, The orange-tinged...

How It Ends: The House

The sponge on the counter reeks faintly and the kitty-cat clock is stuck at 10:05, such a non-time, morning or night, it doesn’t matter. The whole house is like a bad belly, swollen with gross nostalgia: the old-timey radio, the Formica table, the...

How It Ends: Wonderland/Wasteland

I was raised by a father who self-described as a “realistic optimist” and a mother who oscillated between bracing for the apocalypse and buying outfits for the award ceremony. So it’s no surprise that my own predictive tendencies are tangled up in...

How It Ends: Downward Muslimah

When they came for me, I wasn’t expecting it. Every day since the election, I’ve felt just a little less safe, but I never thought they’d actually round us up. Even after the ban, I still had hope. I’m an American citizen, an attorney who knows what...

How It Ends: Unspeakable

I told Ina I would never speak to her again. We had been friends of a sort since our twenties—hung out in the same bars, showed up at feminist rallies and marches together—but she was increasingly one of those politicos who find fuel for neurotic...

How It Ends: April Fools

On April 1, 1988, my college newspaper published an April Fools article about Donald Trump buying Fordham University’s College at Lincoln Center and proclaiming himself its president. It was the last semester of my freshman year and by that point...

How It Ends: Follow the Money

A few years ago I read a biography of Al Capone. I learned a lot about him. He was a good dancer. He had tertiary syphilis that probably caused his erratic mood swings. He grew up a block away from me in Brooklyn. When he got to Chicago, his...

How It Ends: #ThemToo

In the video—because there are cameras in every room of that house—he’s walking ahead of her down the stairs and then, perhaps sensing she isn’t following, reaches behind him for her hand. He does it without turning and so he...

How It Ends: Inside the Trump Museum

It’s afternoon outside the Trump Museum, and a small crowd of people has entered the park gates and are surging toward the left entrance. There are always so many more people when the Women’s Brigade are in charge of security, recognizable by their...

How It Ends: What Comes Next

  For the light of heart: dancing cat emojis and Grumpy Cat GIFS. For the TV-obsessive: war on North Korea. For the New Year’s Resolutionist: lobster truffle mac n cheese at Dean and Deluca’s: I’ve always wanted to taste this. I don’t know how...